The Argyle Theatre Announces The Cast for its High-Energy Production of Newsies

    Babylon, New York — Long Island audiences will kick off 2026 with a burst of energy as The Argyle Theatre unveils the complete cast and creative team for its upcoming production of Disney’s Newsies. Directed by Tommy Ranieri, choreographed by Trent Soyster, and with musical direction by Jonathan Brenner, the production will run from January 29 through March 22, 2026, officially opening on January 31.

    Billed as the region’s largest year-round professional theater, The Argyle is gearing up to deliver a thrilling, dance-driven staging of the beloved musical, which tells the story of Jack Kelly and a band of spirited newsboys who rise up against powerful publishing giants to demand fair treatment. Inspired by real events and based on Disney’s 1992 film, Newsiesfeatures a Tony Award-winning score by Alan Menken, lyrics by Jack Feldman, and a book by Harvey Fierstein. Its high-octane musical numbers—including “Seize the Day,” “Carrying the Banner,” and “Santa Fe”—have made it a favorite for audiences of all ages.

    The previously announced principals include Mason Ballard as Jack Kelly, Cara Rose DiPietro as Katherine Plumber, Keyon Pickett as Davey, Jeremy DerMovsesian as Crutchie, Arielle Faye Beane as Medda Larkin, and Andrew Footeas Joseph Pulitzer.

    They will be joined by a robust ensemble featuring Sean Joseph Condenzio, Shea Curran, Kevin Dennis, Mikey LoBalsamo, Chris Donovan, Michael Di Leo, Sam O’Neill, Leroy Thompson, Immanuel Amalio Rodriguez, Garrison Hunt, Cole Hong Sisser, Maclain Rhine, Errol Service Jr., Ryan Wong, Carson P. Zoch, Noah Lytle, Ryan Schaefer, Jillian Reef, and Zoë Lewis-McLean.
    Swings for the production include Rhagan Carter, Jacob Lill, and Nathaniel Dickson.

    Artistic Director Evan Pappas praised the company’s talent and spirit, saying, “This cast is stacked with powerhouse performers and fearless storytellers. Together, they embody the passion, grit, and sense of community that makes Newsiessuch an enduring and exhilarating theatrical experience.”

    The creative team shaping the production includes Christian Fleming (Scenic Design), Cameron Filepas (Lighting Design), Amanda Scanze (Costume Design), Kimberly S. O’Loughlin (Sound Design), Holly Romero(Hair/Wig/Makeup Design), Callie Hester (Props Design), and Russ Brown (Music Coordinator).
    Production leadership features Daniel Vaughn (Production Stage Manager), Gabrielle P. Guagenti (Assistant Stage Manager), and Pat Downes (Technical Director). Casting is by Michael Cassara, CSA.

    With its blend of underdog spirit, dazzling choreography, and heartfelt message, Newsies promises to deliver a standout theatrical event to warm audiences through the winter months.

     

    For more information visit www.ArgyleTheatre.com

    AMERICAN PLAYERS THEATRE ANNOUNCES 2025 Season

    SPRING GREEN, WIS: American Players Theatre (APT) is thrilled to announce its 2025 lineup,to run June through October, with the shoulder season production opening in late October.

     

    The Hill Theatre will open with the play that seems specially crafted for APT’s Hill Stage, William Shakespeare’s A Midsummer Night’s Dream, directed by Core Company Actor David Daniel.

    Next up on the Hill Stage, famous wit Noël Coward’s Fallen Angels, followed by William Inge’s American Classic, Picnic. Rounding out the Hill Season will be Nilo Cruz’s award-winning homage to Anna Karenina, Anna in the Tropics, and Shakespeare’s The Winter’s Tale, a little-produced play that hasn’t been on APT’s stage since 2009.

    Next season in the Touchstone Theatre offers four productions never seen before on APT’s stages, including a world premiere by Core Company Member Gavin Dillon Lawrence: The Death of Chuck Brown. Also on stage in the Touchstone, Yasmina Reza’s barbed comedy Art and Nina Raine’s family dramedy, Tribes. Fall in the Touchstone will see a very special production of the raucous comedy thriller The 39 Steps by Patrick Barlow.

    Artistic Director Brenda DeVita said, “First, I’d just like to say that I’m so proud of the season we produced this year. Our 45th season. The work was exquisite from beginning to end, and I’m so grateful to our artists and actors, and the staff that takes such great care of our amazing audience. An audience who comes to these shows, whether or not they’re familiar with the story, and puts their trust in us, and in the art we make here. It’s incredible the community that’s been created out here, in the middle of Wisconsin farmland – it consistently fills my heart and blows my mind.

    This season has felt like a huge step in our growth as an organization. The company is gelling and maturing, which gives us confidence that the work we do here is special, and important, as well as being beautiful and engaging. We carry that confidence with us into 2025, when we will invite some exciting and new-to-us directors – especially female directors, the most we’ve ever had directing in a season – to work at APT for the first time. Shannon Cochran, who is an actor and director, will do Noël Coward’s Fallen Angels, a playwright she is very familiar with, and can deftly play with that wit and language. Shana Cooper, the talented director who created that indelible, creative production of The Taming of the Shrew at APT in 2021 will return to direct

    The Winter’s Tale.

    And additionally, we continue to expand and grow the talents of our company. David Daniel, a member of the Core Company, and our education director, who directed Oedipus for us in 2021, will direct this Midsummer Night’s Dream. Gavin Lawrence, another Core Company member – he directed Ma Rainey’s Black Bottom for us this season – will direct a play he has written – The Death of Chuck Brown. And John Taylor Phillips who you’ve seen on stage at APT in Private Lives and Born Yesterday and many other plays, will be back to direct The 39 Steps. And we have a number of wonderful returning directors – John Langs on Tribes, Robert Ramirez on Anna in the Tropics, I’ll be directing Picnic, which has been a dream project of mine. We’re already getting started, and I believe it’s a lineup that fits our foundation, while allowing the organization to continue to grow and evolve.” The 2025 schedule will be available in January, and tickets will go on sale to returning patrons in March. More information at americanplayers.org.

     

     

    The 2025 Plays

    In the Hill Theatre

    A Midsummer Night’s Dream

    By William Shakespeare

    Directed by David Daniel

    Love weaves a tangled web in this iconic Shakespearean fairy tale. Hermia and her beloved Lysander flee into the forest to avoid Hermia’s arranged marriage to Demetrius. They’re pursued by Demetrius himself, along with Helena, who is, in turn, in love with Demetrius. In that same forest, Oberon and Titania – king and queen of the fairies – are having a quarrel of their own. And when Oberon enlists his accomplice Puck, aka Robin Goodfellow to throw some magic into the mix, everyone - including a hilarious group of “rude mechanicals” led by Nick Bottom – gets caught up in the spell.

     

    Fallen Angels

    By Noël Coward

    Directed by Shannon Cochran

    Noël Coward’s sparkling wit returns to the Hill for the first time since 2015. Jane and Julia are happily married to charming men when a message arrives from a former flame, sending their perfect lives into a tizzy. It appears a man with whom they’d each had a passionate tryst in the past is planning a visit, and they are both questioning whether they can – or want to – withstand his charms. As the husbands golf, the ladies plot and plan over copious glasses of champagne, with some “help” from a very worldly housekeeper, while awaiting the arrival of their former lover in this decadent and utterly entertaining comedy. Contains adult themes

     

    Picnic

    By William Inge

    Directed by Brenda DeVita

    It’s almost time for the annual Labor Day picnic in Independence, Kansas. But the town buzz is all about Hal – the young handyman hired by sweet Helen Potts. Her neighbor, Flo, is less than enthusiastic about having Hal in the vicinity of her daughters, Madge and Millie. When it turns out Madge’s steady guy, the steadfast Alan, is an old friend of Hal’s, Flo relents, and plans are made for Hal to stick around town more permanently. But young love may have other ideas, and hearts will be filled and broken in this play about desire, expectations and the sacrifices and settlements people make when it comes to love. Contains adult themes & language

     

    Anna in the Tropics

    By Nilo Cruz

    Directed by Robert Ramirez

    In the heat of Florida, a Cuban-American family spends long days rolling cigars for a factory. They carried with them many traditions from Cuba, including employing a lector to read to them as they work. But with automation on the rise, money is tight, and there are differing opinions on whether that tradition should continue. Still, matriarch Ofelia hires a new lector, Juan Julián – a charismatic young man who captures the attention of her daughters, Marela and Conchita. Juan Julián begins his reading sessions with Anna Karenina. As the book’s story unfolds, the family’s lives run parallel, bringing secrets and lies to the forefront and threatening their livelihood and relationships. Contains adult themes

     

    The Winter’s Tale

    By William Shakespeare

    Directed by Shana Cooper

    Shakespeare’s sweet and complex romance returns to the Hill. When King Leontes suspects his pregnant wife Hermione of having an affair with his good friend Polixenes, he jealously hides Hermione away in the palace. He has become so enraged that Leontes orders their infant daughter to be abandoned in the wild, leading Hermione to die of a broken heart. But all may not be as dire as it first appears, as a shepherd saves the young girl to be raised as a shepherdess, with help from a pair of ridiculous clowns, setting in motion a series of events that opens up paths to forgiveness, love and redemption.

     

    In the Touchstone Theatre

    The World Premiere of

    The Death of Chuck Brown

    By Gavin Dillon Lawrence

    Directed by Gavin Dillon Lawrence

    A local icon’s death signals the end of an era and the beginning of a new look for a once- predominantly African American neighborhood in Washington, DC. A barbershop is the backdrop for conversations about gentrification, race and family as the owner, Kofi, considers selling his beloved establishment while keeping his son Prince on the path to success. A funny, touching and devastating world-premiere from APT Core Company Member Gavin Dillon Lawrence. Contains adult themes & language

     

     

    Art

    By Yasmina Reza

    Director TBA

    Reza’s philosophical comedy comes to APT at last. Three long-time friends – Serge, Marc and Yvan – ponder art, class and love; fraught and funny discussions sparked by Serge’s extravagant purchase of a painting that is simply a white canvas with a few thin lines. As the conversation progresses, cracks form in the men’s relationships as they question whether they are who they think they are, or if they are who their friends think they are, in a play that has been awarded the Tony, New York Drama Critics’ Circle, and Olivier Award for Best New

    Comedy. Contains adult themes & language

     

    Tribes

    By Nina Raine

    Directed by John Langs

    There is the family we choose, and the one we’re born to. And neither are perfect. When Billy, Ruth and Daniel - Beth and Christopher’s adult children – all move home, the rivalry is intense among this group of “creatives.” But not for Billy, who is the sole deaf member of this hearing family. The family made the decision long ago that Billy should not learn sign language, and instead learn to read lips. But when he meets Sylvia, who comes from a deaf family and is coping with losing her own hearing, Billy’s world opens up as she teaches him to sign. What his family makes of this new world is another thing entirely, as they try to elevate themselves while holding Billy at status quo in this funny, biting play. Contains adult themes & language

    Opening in October

     

     

    The 39 Steps4

    By Patrick Barlow

    Directed by John Taylor Phillips

    Richard Hannay’s adult life has taken a decided turn for the boring, when one night he decides to go to the theater. There he meets a mysterious woman (and a couple of clowns) during a performance by Mr. Memory. When shots are fired, Hannay finds himself hurtling toward a hilarious adventure built from a foundation of all the most famous noir, and into a delightful parody of the genre itself. A theatrical and hilarious send up of Hitchcockian thrillers, with four actors playing every character – a special event perfect for fall in the Touchstone Theatre.

     

     

     

    Nat Turner in Jerusalem

    By Nathan Alan Davis

    Directed by Tyrone Phillips

    Playing through November 10 in the Touchstone Theatre

    Tickets at americanplayers.org/tickets

    When everything has been ripped away – family, autonomy, dignity – all that’s left is faith and free will. And if a chance arises to take those things back? No weapon would be off limits. Nat Turner’s life hangs in the balance, anchored on one side by his actions, and on the other, the atrocities committed against an entire race. There is much to be pondered in that space. About humanity and justice. About how to honor a life wrongfully taken. But who writes that story? And whose truth is ultimately put to paper? Join us for a lyrical meditation on the confluence of righteous violence, freedom and belief, shining light on a forgotten figure who was instrumental in the fight to end slavery in America. Helmed by the director who brought you last season's sensation The Royale. Featuring: Gavin Lawrence, Jim DeVita.

    New Repertory Theatre is Closing its Doors

    [WATERTOWN, MA] – October 18, 2023 - After 40 seasons, over 300 productions, and a smash 2023 season, New Repertory Theatre’s Board of Directors has determined that it is not possible to sustain the organization going forward. Audiences and critics have responded enthusiastically to New Rep’s relaunch, but fundraising with major donors has fallen short of the theater’s goals for a sustainable path.

    The Board has therefore initiated the process of formally dissolving the organization. It expects to have no assets at the conclusion of this process.

    New Rep takes great satisfaction in its history and in particular the 2023 season, however it is subject to the same converging realities that have impacted so many theater companies throughout the country: post- pandemic economics, changes in the philanthropic landscape, challenges with the business model of regional theaters, and other factors beyond its control, along with the ending of emergency Federal support for the performing arts.

    “We are so proud of the artistic excellence of our 2023 productions, the casts, design teams and staff, the rave reviews and strong ticket sales, and the fact that the theater is going out on the highest possible note,” said Board Chair Chris Jones. “Our artistic team has embodied the essence of New Rep’s Renewal Vision with excellence, professionalism, quality and spirit.”

    Board Vice Chair Danielle Galligan expressed gratitude to the Greater Boston community that embraced New Rep’s vision and supported New Rep in attendance and financially over the years. “We are saddened by this outcome, yet grateful for the long run of this wonderful theater.”

    As one of the Greater Boston area’s premiere mid-sized regional theater companies, New Rep has been an artistic haven for writers, performers, and audiences. For 40 years it has entertained theatergoers, premiered new work as well as classics, and provided educational access for children to the experience of live theater.

    Said Resident Artists Lois Roach, Maria Hendricks and Michael Hisamoto “It is that fitting we close New Rep’s long and storied history with plays that encompass the battles we have fought throughout history and the hopes we have for a more beautiful future. And we reflect with pride on all the community work & cultural expansion we have impacted in Watertown and beyond that will resound in years to come. We celebrate all the artists involved in the history of New Rep and know that New Rep lives on through the people that have made the company what it is and was.”

    After a nine-month suspension of productions during the pandemic, New Rep recommitted itself to a Renewal Vision of inclusion and diversity and a collaborative process centered on new work, new voices, and creative programming. Since re-opening, productions have included new works in the Pipeline Project, musical events, and collaborative community performances and events with local organizations including the Watertown library and public schools, as well as a world premiere and sold-out Tony award-winning shows.

    “On behalf of the entire Board and organization, I express our deepest gratitude to our patrons and donors, to the artists whose work we have been privileged to share with this community, and to an amazing staff that consistently made it all happen,” Jones added.

    TheatreSquared in Arkansas returns to in-person 2021 performances this April.

    PRESS RELEASE

     

    ONE YEAR AGO, WE CELEBRATED THE UNVEILING OF THEATRESQUARED’S FIFTEENTH ANNIVERSARY SEASON.

    It didn’t go entirely as planned. But in the year that’s passed, we’ve marked unexpected, welcome successes, with the advent of our acclaimed streaming programs (called the year’s best by The New York Times), the 2020 American Architecture Award, and superlative national reviews (“Outstanding drama company” – The Wall Street Journal). 

    None of this would have been possible without your patience, generosity, and flexibility throughout this crisis. With your steadfast support, TheatreSquared has been able to innovate and continue creating world-class theatre right here in Northwest Arkansas. 

     

    Today, we announce our updated, final 2021 calendar with a return to in-person performances this April. 

    First, in March, we’re thrilled to host the return of the multitalented duo James Taylor Odom (Scrooge in our hit 2019 A Christmas Carol) and Brian Walters for a special encore streaming production of Murder for Two, taking the place of Twelfth Night. This hilarious and virtuosic musical quickly sold out its initial run in 2016. The cast and creative team are at the theatre even now in final rehearsals, and streaming begins March 17. We’ll welcome audiences back to the theatre on April 28 for the darkly hilarious At the Wedding — and the lineup of remarkable, live theatre continues at full speed after that. From My Father’s War, to Matilda the Musical, to the music-filled American Mariachi, to the world premiere of Designing Women and the five-time Tony-nominated musical Violet, the remainder of your 2021 is jam-packed with amazing live theatre.

     

    We’ve taken aggressive steps to maximize safety at our state-of-the-art theatre, with fresh air resupplied at an air change rate exceeding six times per hour, MERV-13 filtration, safely distanced seating maps, universal PPE requirements, and frequent testing of all artists and crew by our on-staff, advanced practitioner nurse, all reviewed by an infectious disease specialist. Prefer to stay home for now? Not to worry—with the exception of Matilda, we’ve also secured permissions to simultaneously live stream every show. 

    You’ve already got your tickets. All we need to hear from you is your viewing preference. Please reach out as soon as possible — in-person seating remains extremely limited until community case numbers and public health guidance allow for an easing of restrictions.

    On May 19, we’ll also be announcing our Season 16 lineup of six exciting new productions continuing through June of 2022. We’ll reach out to you first regarding your auto-renewal preferences in advance of that date so that we can keep your seats held. 

    Thank you for the tremendous commitment you’ve shown our region’s theatre over the past 12 months. Together, we’ve adapted to these unbelievably strange circumstances, and this grand re-opening is made possible by your unflagging loyalty and support.

     
    How To Get COVID Financial Assistance for Shuttered Venue Operators from The SBA

    Shuttered Venue Operators Grant

    Emergency assistance for eligible venues affected by the COVID pandemic

    Program details

    The Shuttered Venue Operators (SVO) Grant program was established by the Economic Aid to Hard-Hit Small Businesses, Nonprofits, and Venues Act, signed into law on December 27, 2020. The program includes $15 billion in grants to shuttered venues, to be administered by the SBA’s Office of Disaster Assistance.

    Eligible applicants may qualify for SVO Grants equal to 45% of their gross earned revenue, with the maximum amount available for a single grant award of $10 million. $2 billion is reserved for eligible applications with up to 50 full-time employees.

    Sign up for email alerts about this program

    Supplemental documents

    Who can apply

    Eligible entities include:

    • Live venue operators or promoters
    • Theatrical producers
    • Live performing arts organization operators
    • Relevant museum operators, zoos and aquariums who meet specific criteria
    • Motion picture theater operators
    • Talent representatives, and
    • Each business entity owned by an eligible entity that also meets the eligibility requirements


    Other requirements of note:

    • Must have been in operation as of February 29, 2020
    • Venue or promoter must not have applied for or received a PPP loan on or after December 27, 2020

    Amount of SVO grant

    Grant amount will be either:

    • For an eligible entity in operation on January 1, 2019, grants will be for an amount equal to 45% of their 2019 gross earned revenue OR $10 million, whichever is less.
    • For an eligible entity that began operation after January 1, 2019, grants will be for the average monthly gross earned revenue for each full month you were in operation during 2019 multiplied by six (6) OR $10 million, whichever is less.

    How to apply

    SBA is in the process of setting up the grant program and is not yet accepting applications. Those who have suffered the greatest economic loss will be the first applications processed under the following schedule:

    Note: On January 20, 2021, SBA updated the proposed plan for issuing Shuttered Venue Operators Grants during the first and second priority periods. To clarify, priority awardees will not need to satisfy the small employer set-aside. During the first 59 days of opening the SVO Grants, SBA will reserve no less than $2 billion of program funding for grants to entities that have no more than 50 employees.

    First Priority

    1st 14 days of grant awards

    Entities that suffered a 90% or greater revenue loss between April 2020 through December 2020 due to the COVID-19 pandemic.

    Second Priority

    Next 14 days of grant awards

    Entities that suffered a 70% or greater revenue loss between April 2020 through December 2020 due to the COVID-19 pandemic.

    Third Priority

    Beginning 28 days after First & Second Priority Awards are made

    Entities that suffered a 25% or greater earned revenue loss between one quarter of 2019 and the corresponding quarter of 2020.

    Supplemental Funding

    Available after all Priority Periods have passed

    Recipients of First, Second, and Third Priority round awards who suffered a 70% or greater revenue loss for the most recent calendar quarter (as of 04-01-21 or later)

    Allowable use of funds

    Funds may be used for specific expenses, which include:

    • Payroll costs
    • Rent payments
    • Utility payments
    • Scheduled mortgage payments (not including prepayment of principal)
    • Scheduled debt payments (not including prepayment of principal) on any indebtedness incurred in the ordinary course of business prior to 02-15-20)
    • Worker protection expenditures
    • Payments to independent contractors (not to exceed $100K in annual compensation per contractor)
    • Other ordinary and necessary business expenses, including maintenance costs
    • Administrative costs (incl. fees and licensing)
    • State and local taxes and fees
    • Operating leases in effect as of 02-15-20
    • Insurance payments
    • Advertising, production transportation, and capital expenditures related to producing a theatrical or live performing arts production. (May not be primary use of funds.)


    Grantees may not use award funds to:

    • Buy real estate
    • Make payments on loans originated after 02-15-20
    • Make investments or loans
    • Make contributions or other payments to, or on behalf of, political parties, political committees, or candidates for election
    • Any other use prohibited by the Administrator


    Grantee Recordkeeping

    Grantees will be required to maintain documentation demonstrating their compliance with the eligibility and other requirements of the SVO Grant program. They must retain employment records for four years following their receipt of a grant and retain all other records for three years.

    Application and additional guidelines will be posted when available.

    Video tutorials

    For more information

    For additional information, email This email address is being protected from spambots. You need JavaScript enabled to view it.. All emails regarding SVO Grants will be sent using an official government email address ending in @sba.gov.